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Bob Mould talks using ‘bright melodies and darker words’ to explore isolation

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If Bob Mould has a superpower, it’s his mastery of dynamics.

Walking that fine line of balancing light and heavy in volume and presentation is something that’s been his jam dating back to his Hüsker Dü days. It continued through his time in the band Sugar. It’s also infused in the fine body of work he’s churned out in a solo career that kicked off with 1989’s seminal “Workbook.” There’s plenty more where that came from on Mould’s new album “Here We Go Crazy.”

“I think this new album is a continuation of the same style of work that I have done for many years—sort of the bright melodies and darker words,” he said. “This record is a little bit informed by stuff that started in 2020 for all of us. Isolation and a sort of uncertainty.”

As has been the case when he’s decided to go down a band path, Mould’s musical language of choice is power trio. He’s once again playing with bassist Jason Narducy and drummer Jon Wurster, a threesome that first joined forces on 2011’s “Silver Age.”

The current album’s origins date back to the pandemic, when Mould was grappling with songwriting at a time when the pause button on touring didn’t allow him to get the kind of feedback from an audience he was accustomed to getting in the past. That all changed once societal restraints loosened and allowed him to go on the road again.

Now, the famed rocker is bringing his new songs to L.A.’s Teragram Ballroom on Friday, April 4.

“Once I was able to go out and do some solo touring, I started trying out some of the things I’d written and people responded well,” Mould said. “I think that helped me get back on the songwriting horse. When longtime songwriters start to get older, I think that there are all these expectations that you’re going to outdo your other work or reinvent the wheel. Or write ‘The Tenpenny Opera’ or whatever. I wasn’t really having any of that in my head.”

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For Mould, those themes of isolation populate the front of the record and take the form of the frenetic “Neanderthal,” a nod to growing up in a violent household where he recalled “Heavy hands at the ready.” That betrayal continues in “Sharp Little Pieces” amid waves of hard-hitting chords that gild lines like “Young child full of inspiration, story never told/Deep bruise, one manipulation and they send you home.” Toward the end, a song like “You Need to Shine” was Mould’s attempt at “trying to bring some sunlight to everything and trying to find a little bit of hope during interesting times in an interesting world.”

It all adds up to a batch of songs that Mould is only eager to explore in a live setting. He’s also eyeing taking a deeper dive into the work he’s done with Narducy and Wurster.

“I think the starting point for this tour is trying to showcase a lot of the new record,” Mould explained. “More generally, this feels like a really good time to look at our story as a three-piece and to look at the six records we’ve made together and really celebrate that which we created together as opposed to leaning really heavily into other projects I’ve done. That’s sort of a general vibe that we’re looking at. There are a lot of good songs on these records that we really haven’t dug into live. That’s how we’re going into it.” He added with a laugh, “Ask me more after about a week of the tour.”

Creative introspection has been a constant for Mould, dating back to his earliest musical memory when he came across his first piece of vinyl as a toddler.

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“I was living in an apartment with my family when I picked this square, 12-inch piece of cardboard,” he recalled. “It was the album soundtrack for “Around the World in 80 Days.” There was this big round piece of plastic in it and when you put it on a machine, it made sound. I was fascinated by that whole idea, so I guess that would be my first cognizant memory of music.”

With his musical fuse lit, Mould went from teaching himself how to play piano by copying what he heard on AM radio to taking his first crack at writing songs when he was nine. By the time he was 14 or 15, the aspiring musician’s “varying levels of obsession” shifted over to playing guitar after performing in grade-school talent shows and singing in choir. Along the way, both The Beatles and Ramones served as inspiration.

“I remember getting The Beatles’ ‘Revolver’ when I was six,” Mould said. “The artwork was unlike anything you would normally see on a ‘60s album cover. The music was fascinating, as were the stories and the melodies—just the whole thing. At six years old, these are things that feel like they appear from outer space because they’re just so foreign. Hearing music like that and then understanding who The Beatles are. It then opened up this world of trying to understand pop music as a kid, having jukebox singles. Just the immersion of it was fascinating.”

He added, “Later on, when I heard The Ramones’ first album, I thought if you applied yourself, there was room for anybody to do anything. That gave me the freedom to really begin to express myself.”

With a hefty amount of touring on the horizon for most of 2025, Mould is content to “work, work, work—get out and play, while the body allows.” Following a triumphant performance on “The Tonight Show Starring Jimmy Fallon” and the positive reviews he’s been getting for “Here We Go Crazy,” (Rolling Stone said the album “mixes raw power and deep honesty”) Mould has been able to feel some vindication following the uncertainty he had going into recording his latest effort.

“I was sort of trying to write in my comfort zone, which again, music critics and such may look at and go, ‘Ugh,’” he said with a chuckle. “It’s funny now that the record is out, I’m seeing the reaction to it. People are finding a lot of comfort in it. I’m happy about that because I wasn’t so certain what I had done when I finished the record. But now it feels like I maybe did the right thing.”

Bob Mould with Craig Finn

Where: Teragram Ballroom, 1234 W 7th St, Los Angeles.

When: 7 p.m. Friday, April 4.

Tickets: Standard Admission for $46.70 via Ticketmaster.com

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Shai Gilgeous-Alexander, Thunder top Timberwolves for 2-0 lead

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By CLIFF BRUNT AP Sports Writer

OKLAHOMA CITY — Shai Gilgeous-Alexander scored 38 points a day after being named the NBA’s MVP, and the Oklahoma City Thunder overwhelmed the Minnesota Timberwolves again, winning 118-103 on Thursday night to take a 2-0 lead in the Western Conference finals.

Gilgeous-Alexander shot 12 for 21 from the field and 13 for 15 from the free-throw line after receiving his MVP trophy from Commissioner Adam Silver before the game.

“I feel like all my emotions were so high, but I was a little bit tired out there, especially at the start,” Gilgeous-Alexander said. “I was a little too juiced up. Special moment. I’m happy we won so I can really enjoy the last couple days and soak it up. That really helps.”

Jalen Williams had 26 points and 10 rebounds and Chet Holmgren added 22 points for the Thunder.

Oklahoma City’s Lu Dort was named first-team all defense and Williams was named second-team all-defense earlier in the day. They helped anchor a unit that held Minnesota to 41.4% shooting.

“When you win games, you do it together and you have fun out there, everything else – all the individual stuff you want – it comes with it,” Gilgeous-Alexander said.

Anthony Edwards scored 32 points for Minnesota, but it took him 26 shots to get them. Jaden McDaniels scored 22 points and Nickeil Alexander-Walker added 17 for the Timberwolves.

Game 3 is Saturday in Minneapolis.

Gilgeous-Alexander hit a 3-pointer with 16 seconds left in the first half, then made a pair of free throws with three seconds remaining to help Oklahoma City take a 58-50 lead. He scored 19 points before the break.

“We didn’t close the half very well,” Minnesota coach Chris Finch said. “I thought if we close the half better then we don’t put ourselves on such a razor edge in the third.”

In the third quarter, Gilgeous-Alexander drove to the paint and threw up a wild shot that went in as he was fouled by his cousin, Alexander-Walker. Gilgeous-Alexander made the free throw to give the Thunder a 73-64 lead.

A lob by Cason Wallace to Holmgren for a two-handed jam on a fast break put Oklahoma City ahead 82-65 late in the third quarter. The Thunder took a 93-71 advantage into the fourth.

Minnesota closed to within 10 in the final period, but Oklahoma City kept the Timberwolves at bay late. Now, Minnesota gets to go home, where it is 4-1 in the playoffs.

Finch remained optimistic.

“Every minute in a series is a chance to find something,” he said. “So we’re going to go back home. This is a good team at home. So we’re going to go home and fight for Game 3. Heads up, look at the tape and get ready for Game 3.”

NBA commissioner Adam Silver, left, presents the league MVP trophy to Oklahoma City Thunder guard Shai Gilgeous-Alexander prior to Game 2 of the Western Conference finals against the Minnesota Timberwolves on Thursday night in Oklahoma City. (AP Photo/Nate Billings)
NBA commissioner Adam Silver, left, presents the league MVP trophy to Oklahoma City Thunder guard Shai Gilgeous-Alexander prior to Game 2 of the Western Conference finals against the Minnesota Timberwolves on Thursday night in Oklahoma City. (AP Photo/Nate Billings)
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Montebello baseball comes up short against Heritage Christian in quarterfinals

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MONTEBELLO – The deeper a team goes in the playoffs, the tougher it gets. The Montebello baseball team has found that out the last three seasons.

The Oilers have amassed 61 wins during that span, but each time they have bowed out of the CIF Southern Section playoffs in the quarterfinals.

Montebello had flawless pitching and defense over the first two rounds of the postseason, but three errors helped contribute to a 7-3 loss to Heritage Christian in the Division 6 quarterfinals Thursday.

The Oilers (20-10) briefly threatened in the bottom of the seventh by scoring two runs, but left the bases loaded.

Heritage Christian (20-8-1) advances to Tuesday’s semifinals. It will face the winner of Friday’s game between Marshall and Santa Fe.

“You know, they are fighters year in and year out and this is the third year in a row going to the quarterfinals,” Montebello coach Manny Arana said. “We’ve had success and they’re all winners and we instill in them to be a winner.  You have to be a fighter.

“You could see that in the last inning with a ball that could have gone five feet either way and put the tying run on base. After that, anything can happen. That’s baseball.”

Leading the way for the Oilers were senior center fielder Isaiah Cervantes, who had two singles, and freshman shortstop Nathan Govea, who had two singles and scored a run. Senior catcher Roberto Barraza had a double and an RBI.

Heritage Christian senior shortstop Eden Nalin led the way for team with three hits and an RBI, while three other players had two hits apiece.

The Warriors (22-8-1) opened the scoring with two runs in the first inning. One run came across on the first of three errors by the Oilers.

Two innings later, Montebello cut the lead in half with a run in the third inning.

Starting pitcher Fernando Cruz singled up the middle with two outs and came home on a double to left by Barraza.

The Oilers left two runners on base in the inning and also left runners on second and third in the second inning.

“From day one in the playoffs we’ve told them you have to throw strikes, play defense and get a clutch hit,” Arana said. “The first two games we did that and (Thursday) we had a couple of opportunities early and missed and that hurt us.”

Cruz opened the playoffs with a one-hitter. On Thursday Cruz scattered six his through five innings with five strikeouts.

“It’s been a good ride with my teammates, and we’ve been playing together for almost two or three years,” Cruz said. “I’ve shared the field with these seniors since before high school.”

The sixth inning turned out to be the downfall for Montebello, as the Warriors scored three runs.

With two outs, an infield pop fly was dropped for the third error of the game. That loaded the bases and the next two Warriors batters combined to knock in the three runs and increase their lead to 5-1.

Two more runs came across the next inning for a 7-1 advantage.

“In the seventh inning, we were down 7-1, but our team almost managed to get a comeback,” Cruz added. “We had the tying run at the plate, but just couldn’t get it done.”

Cruz was referring to the two-run rally and how they left the bases loaded to end the game.

Govea opened the inning with a single to left. Senior left fielder Devin Lopez was hit by the pitch and Cervantes loaded the bases with a single to right center.

An RBI walk to junior second baseman Michael Rios brought in the second run and a sacrifice fly by Cruz sent Lopez in to score. A fly ball to right ended the game and season for the Oilers.

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Tenants sue Pasadena, LA County for better living standards after Eaton fire

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Two tenant unions and several residents have each filed lawsuits against the city of Pasadena and the county of Los Angeles, frustrated in what they allege are agencies that have failed to meet their legal responsibilities to inspect and enforce safe and habitable living standards for renters following the Eaton fire.

Neighborhood Legal Services of L.A. County, a nonprofit legal advocacy group, announced on Thursday morning that, in conjunction with the legal firm Morrison Foerster LLP, it had filed lawsuits on behalf of the Altadena Tenants Union, Pasadena Tenants Union, along with four named wildfire survivors.

“The message that we’re sending with these lawsuits is simple,” said Whitney O’Byrne, a partner with Morrison Foerster and a board member of NLSLA. “When a government agency fails to protect the health and safety of its residents, especially the most vulnerable, it must be held accountable.”

The lawsuits aim to force government agencies to take legally required actions to thoroughly inspect rental residences for hazardous toxins and see that appropriate remediation methods are used by landlords to make them safe and livable.

“A primary issue presenting was that landlords were not remediating units contaminated with toxic smoke, soot and ash,” said Lena Silver, director of policy and administrative advocacy at NLSLA.

Silver said the city and county governments are responsible for conducting the inspections that are the first step in the process, but they have not met that responsibility.

“The County of Los Angeles Department of Public Health, responsible for enforcing and inspecting habitability rights for tenants in unincorporated Altadena, and the City of Pasadena Code Compliance Division, responsible for doing the same in Pasadena, both maintain that smoke, soot and ash inspection do not fall within their purview,” she said.

“Pasadena continues to state that smoke and ash remediation is a purely civil issue,” Silver said. “While Los Angeles has informed us that it has performed a handful of inspections, the type of inspection they’re providing cannot adequately identify the health risks of the impact of toxic smoke, soot and ash.”

L.A. County Public Health did not comment on the claims, and Pasadena’s spokesperson said the city has not been served with the lawsuit and couldn’t respond.

Conditions have put tenants between a rock and a hard place, Silver explained. Because some landlords are refusing to pay for the professional, certified remediation necessary to address toxins imbedded in places like walls and insulation, renters are having to make a choice.

Some have moved back in to unclean units and have begun experiencing health issues, Silver said, because they can’t afford to move elsewhere. Others are still living in temporary quarters, or in their cars, or paying two rents at once in order to keep their Altadena and Pasadena places, because they’re ultimately more affordable.

“We’ve also heard stories of tenants paying out of pocket at extremely high cost for testing just to confirm the toxic levels of lead and other contaminants that we know are present,” Silver said.

Brenda Lyon, a tenant in Pasadena, asked her landlord to file a homeowner’s claim in order to bring in a qualified remediation team, but they refused. Instead, she and her husband paid out of pocket for the work, expecting reimbursement from the landlord.

“I called every politician’s office, every city office,” Lyon said. “I was advised to file a code compliance, so I did, (but) the code compliance was denied, stating my problem was a civil issue.

“A habitable premise, per the state of California, is a right of a tenant,” she said, “so why would no one in the city make that happen for me?”

When she and her husband again approached the landlord about filing a homeowner’s claim so the couple could be reimbursed, they were told No and that, if they didn’t like it, they could move.

“We need our city to have our back, so that we can all move back in safely,” Lyon said.

Katie Clark, a founder of Altadena Tenant Union, who lost her rental home of 15 years to the Eaton fire, said she speaks with people every day that are still displaced, are living in unclean facilities, have been hit with illegal rent hikes, or are a step away from being homeless because their money is dwindling as they cover the cost of temporary housing.

“Throughout all of this, Los Angeles County has been virtually silent when it comes to the plight of tenants,” she said.

Many, Clark said, are people of modest means who rely on rent-controlled apartments to get by.

“The county has consistently passed the buck and shrugged off its responsibilities, telling tenants, ‘You’re on your own,’” she said.

“We’ve been told there’s nothing the County can do,” she said. “We know that’s not true … Just because we don’t own property doesn’t mean we’re not part of this community.”

Silver and the legal teams from both groups intend to make both Pasadena and L.A. County meet their obligations.

“The County and City must immediately provide adequate inspections of rental units with smoke, soot and ash damage caused by the Eaton fire and do it in a manner that actually ensures the health and safety of tenants,” Silver said. “They must cite property owners for any damage and they must require property owners to remediate that damage promptly and thoroughly to eliminate any health risks.”

Jarret Liotta is a Los Angeles-based freelance writer and photographer.

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